Artist Statement

My artistic approach is rooted in an expanded conception of the pictorial field. It favors a non-linear methodology based on recursive metamorphism—an experimental and interdisciplinary process that reinterprets and revitalizes the codes of contemporary creation. At the heart of this practice, I explore a philosophy that places humanity and its environment in constant dialogue, seeking to establish a profound synergy between the observer and the work. My objective is to merge the plasticity of the object—whether formal, virtual, or volumetric—with a clear cognitive intention, allowing for a subtle shift from imaginary symbolism toward the tangibility of the real

My work is built upon a research-creation protocol centered on material experimentation. This plastic inquiry relies on the hybridization of materials—carbon fiber, steel, resins, pigments, holographic prints, and elastomers—aiming to confront divergent physical properties.

A central challenge of my work consists of deconstructing the boundary between the plane and the volume to strive toward global artistic propositions. Through this material synergy, I explore fundamental dualities—transparency and opacity, malleability and rigidity—to establish a dialogue between structural equilibrium and visual tension. My technical approach, simultaneously abstract and figurative, generates works rich in texture and color, inviting the viewer to contemplate the complexity of the world

Oscillating between protocolar rigor and the embrace of randomness, my works constitute fluid and immersive spaces. By placing interaction at the core of my process, I design "porous" artistic devices that engage with their surroundings. These are not isolated objects, but rather interdependent systems, inseparable from their exhibition context and the architecture they inhabit